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The Jesus Lizard, Underground Rock Heroes, Surface With a New Album

In May, following the death of Steve Albini, the engineer and tastemaker who helped define the aesthetics of independent rock in the early 1990s, a consensus about his past work started to emerge: Among the slew of albums that Albini recorded in those days, few encapsulated his signature sonic wallop — and the potency of the broader scene he championed — better than the early work of the Jesus Lizard.

On triumphs like “Goat” (1991) and “Liar” (1992), the vocalist David Yow, the guitarist Duane Denison, the bassist David Wm. Sims and the drummer Mac McNeilly skillfully wedded the thudding force and lascivious groove of the ’70s arena-rock gods they grew up on with the grimy racket of the ’80s underground.

Earlier this year, when the band started announcing a new run of festival appearances and headlining dates — the latest chapter in a sporadic reunion that commenced in 2009, 10 years after the band’s initial breakup — it seemed like another chance for both old heads and newer converts to salute the band’s illustriously chaotic past. What no one could have expected is that this time around, the Jesus Lizard wouldn’t just be reaffirming its legacy but adding to it. This fall, it will unveil its first studio album in 26 years: “Rack,” a raucous record that recaptures the lunging momentum, stealth nuance and unhinged Yow-isms of its best work.

The uncanny timing of the announcement, arriving when the band is already being celebrated anew, is pure coincidence: The album, out Sept. 13, has been about five years in the making.

In a video interview from his Altadena, Calif., home, with posters for “Taxi Driver,” “Pulp Fiction” and other gritty film classics on the walls, Yow gushed like a proud parent over “Hide and Seek,” the album’s rampaging lead track. “It’s got so many hooks,” the 63-year-old vocalist said, his gray goatee framing a wide grin. He added that he’d gotten in the habit of asking both his bandmates and his wife, with a mixture of irony and wonder, “Have we written a pop song?”

Denison, 65, was amused and skeptical. “I don’t know what pop music David Yow’s listening to,” he deadpanned during a video interview from the combination library and music room of his Nashville home. “I don’t think Beyoncé or Lil Nas X are going to be jealous.”

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